By Marilyn Ferdinand
There’s something going around the online world that’s even more viral than the Valentine’s Day virus from a few years back. I’m talking, of course, about the Dardos Awards. Never having heard of them until I was presented with one by blogger extraordinaire Jonathan Lapper, I found it a rather strange sensation to have actually won something, or kind of. See, I never win anything. Whenever there’s any kind of raffle, drawing, or other event of chance, I make the hubby enter it. He always wins stuff. I don’t even try anymore. Maybe that’s the secret. Or maybe I just intimidated Jonathan with my Amazon warrior cry. Yup, probably.
Anyway, so what did I win? Well, it’s not as good as wealth beyond my wildest dreams nor as bad as those parting gifts they give game show losers. Actually, it’s a pat on the back. A very nice pat on the back. A solid-gold pat on the back:
“The Dardos Award is given for recognition of cultural, ethical, literary, and personal values transmitted in the form of creative and original writing. These stamps were created with the intention of promoting fraternization between bloggers, a way of showing affection and gratitude for work that adds value to the Web.”
Dardos winners must do the following:
1) Accept the award by posting it on your blog along with the name of the person who has granted the award and a link to his/her blog.
2) Pass the award to another five blogs that are worthy of this acknowledgement, remembering to contact each of them to let them know they have been selected for this award.
I’ve made some great comrades among film bloggers, some of whom I would gladly name for a Dardos Award if someone else hadn’t named them first. I do have a couple of film bloggers that richly deserve this award, as well as bloggers in other subject areas. I’ve cheated and named six because I just couldn’t cut any of these great blogs. In alphabetical order:
One of the most knowledgable film bloggers I can think of is Peter Nellhaus. His blog, Coffee, Coffee, and More Coffee, reflects his vast cinematic experience, particularly his specialty in Asian films. He gets a lot of views, I’m sure. What he doesn’t get are a lot of comments—it’s because you’re way ahead of us, Peter.
Nick Plowman makes me sick! How can a high school kid be so damned talented, intelligent, and productive? Fataculture is a great blog no matter how much Nick obsesses about not keeping up with the “big guns.” He could splatter most other blogs to bits with his x-ray vision or whatever it is that keeps him going.
Daniel Getahun consistently provides great, thoughtful, self-questioning content on Getafilm. He keeps me current on what’s new in the film universe and has the most ingenious film-rating system I’ve seen. Sometimes I even think I can hear his great “Minnesota, eh” accent through the screen. (You do have one of those, don’t you, Daniel?)
I met Anna Brady Nurse from Move the Frame when I invited her to participate in the Invitation to the Dance Movie Blogathon I held last May. I really wanted to get some dance bloggers involved, and she was eager to join in. She does a great job of promoting New York City’s Kinetic Cinema and admirably fulfills her more general mission statement: Where Dance Meets the Camera.
The Tennessee Guerilla Women have been fighting the good fight for women in Tennessee and around the world. Some feminist sites are bitter, some are funny and bitter, some are confused. These women just tell it like it is with style, relevance, and wit. Onward sister suffragettes, or something like that.
Joe Valdez at This Distracted Globe does something I’ve never seen on any other blog: he provides a comprehensive production history of every film he reviews. He’s started to do the same with unsung character actors and actresses as well, with whom he probably identifies. Joe keeps a low profile, but I’m here to expose him to all the world! Get used to it, Joe. You’re about to be really appreciated. l